Advent Calendar Day 21: O Holy Night (Adolphe-Charles Adam)

This is one of those carols that I feel a bit guilty for liking, because I suspect I only really like it because I can now hit that top A effortlessly.  When I couldn’t, I hated it.  And I don’t think that it’s the carol that changed.

I do, most definitely, feel that it gets played far too often around Christmas, and generally in versions that make me grind my teeth because I’m sorry but I just *do not like* pop ballads, and you shouldn’t do that to a Christmas carol, even this one.

Which is why I unreservedly adore Christina Bianco’s version of this carol.

[youtube http://www.youtube.com/watch?v=v_3y0F-toSM?rel=0]

Christina Bianco is a very talented and very wicked woman who has vocal colour down to an art form.  She mimics the vocal styles of well-known singers with an accuracy that makes my evil little heart beat with glee, and it’s truly fascinating to watch her face as she does so, because it’s practically a tutorial in the way you shift your face to create different sounds.  (Obviously, you have to shift a fair number of other things, too, but it’s fascinating to see her do it, and to realise that some of the facial mannerisms of well-known singers are probably actually a product of the way they use their voices.)

Anyway, on the last Saturday before Christmas, when last-minute Christmas shopping is at its height, I felt a little bit of silliness was called for.  Enjoy!

Advent Calendar Day 25: There Were Shepherds Abiding in the Fields (Handel)

Merry Christmas!  I thought it fitting to end Advent with another piece from Handel’s Messiah, and this recording is a fascinating one, dating from 1930.  Singing styles have changed quite a bit since then, and I think my personal preference is for a rather faster version of this recitative, but there is something rather special about listening to a voice that was recorded more than 80 years ago.

[youtube=http://www.youtube.com/watch?v=DMU6gMxbPJ8&w=420&h=315] Continue reading