I know, I know, it’s more Purcell.\u00a0 Anyone would think I had no imagination at all.\u00a0 But the thing with Purcell is that if you are looking for gorgeous church music, there he is, writing it.\u00a0 If you are looking for delicate, beautiful artsong, there’s Purcell again, writing that, too.\u00a0 If you are looking for opera, or drunken rounds with impeccable music, he’s your man.<\/p>\n
So it’s hardly a surprise that when you are in search of hilariously funny opera – in English, too, which does give us more scope, don’t you think? – Purcell is one of the names that comes up.<\/p>\n
Incidentally, if you are watching this at work, you may want to switch it off as soon as the initial aria is finished.\u00a0 The aria itself is mildly naughty, but the naughtiness is largely from the words.\u00a0 What happens after the aria is probably not something you want the boss watching over your shoulder.\u00a0 (There’s no nudity, but it is still decidedly not safe for work)<\/p>\n
[youtube http:\/\/www.youtube.com\/watch?v=IJjvR8wMx2M&version=3&hl=en_US&rel=0]<\/p>\n
Don’t say I didn’t warn you.\u00a0 I’m not sure Purcell intended the bunnies, but I’m certain he would have approved.\u00a0 But – if you can still remember it after the alarming bunny bonkfest – how about that delightfully coy aria, then?\u00a0 I do love the logic of it… This aria is sung by a random fairy in Purcell’s pleasingly silly version of Shakespeare’s Midsummer Night’s Dream.\u00a0 One gets the impression that Purcell wasn’t taking this opera very seriously.\u00a0 It includes a lot of random dances, a very drunk aria by one of the Mechanicals (presumably Bottom), who is attacked by fairies who pinch him for his bad poetry, and a duet between bass and falsetto tenor called “No Kissing At All”, which is much favoured by my choir director (it starts about two thirds of the way through this clip here<\/a>).<\/p>\n